Horror- Comedy starring Bud Abbott, Lou Costello, Bela Lugosi, Lon Chaney Jr. and Glenn Strange as Frankenstein’s Monster. A must see for any movie fan!
A Bot with a row and a cosPlay tell a vision of meeting with a Stein fRANkenSCENCE’d with dirty looks and no voice for converSATions work out times when jokers and monSTIRs get to gather for puns and hiJINX that scatter about tongue and cheek scenarios that would other wise guys couldn’t dream up or write out onto black boxes witch channel castings of make-up, fall-outs, and who’s on first or I don’t know witch way the scene went within a carnal veil opporTUNEisSTICK endeavors that areRENT supposed to make sense, but rather non-senses that get a chance to be plausABLE when two worlds collide within one director’s cut that scrapes the CuLT out of horror pickSURE shows running a way from their truths amd ending up in more trouble than barGAINed for to be a calmody afterlife in an earlier generation gap of black and white prints reeled together that provide a film that jolt the senses inTwo taking a ride on sure bet to keep the audiences and the box offices filled to catch a wider array of seats filled than simpleTONs can pull off bye themSELLves…without the HELp of monSTIRS…
My favorite goof in this film is when Talbot turns into the wolfman wearing a white undershirt but when he running around as a Werewolf he is wearing a dark dress shirt. Like the Wolfman couldn’t leave without stylin’ 🤣
Abbott and Costello made such a great comedic team. I had forgotten about their monster movies. Thanks for the reminders and I can’t wait to watch them again. Great post!
Reblogged this on swamp tour in Louisana and commented:
I probably saw many of these shows when they first were shown in theaters and later on TV, Loved them. Abott and Costello’s “Who’s on first?” was the best then and now!
It’s been ages since I’ve seen it, but I remember thinking it was a lot of fun.
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A Bot with a row and a cosPlay tell a vision of meeting with a Stein fRANkenSCENCE’d with dirty looks and no voice for converSATions work out times when jokers and monSTIRs get to gather for puns and hiJINX that scatter about tongue and cheek scenarios that would other wise guys couldn’t dream up or write out onto black boxes witch channel castings of make-up, fall-outs, and who’s on first or I don’t know witch way the scene went within a carnal veil opporTUNEisSTICK endeavors that areRENT supposed to make sense, but rather non-senses that get a chance to be plausABLE when two worlds collide within one director’s cut that scrapes the CuLT out of horror pickSURE shows running a way from their truths amd ending up in more trouble than barGAINed for to be a calmody afterlife in an earlier generation gap of black and white prints reeled together that provide a film that jolt the senses inTwo taking a ride on sure bet to keep the audiences and the box offices filled to catch a wider array of seats filled than simpleTONs can pull off bye themSELLves…without the HELp of monSTIRS…
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My favorite goof in this film is when Talbot turns into the wolfman wearing a white undershirt but when he running around as a Werewolf he is wearing a dark dress shirt. Like the Wolfman couldn’t leave without stylin’ 🤣
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Ha, ha: I saw this one on Friday afternoon at school after school. Cost? Five cents. Muriel
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Abbott and Costello made such a great comedic team. I had forgotten about their monster movies. Thanks for the reminders and I can’t wait to watch them again. Great post!
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Thanks
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Reblogged this on swamp tour in Louisana and commented:
I probably saw many of these shows when they first were shown in theaters and later on TV, Loved them. Abott and Costello’s “Who’s on first?” was the best then and now!
LikeLiked by 1 person